Thursday, 30 September 2010

WarHorse: New London Theatre




As I went into the theatre I noticed that there was only a few people there, I even thought I might be in the wrong theatre, how could it not have been sold out. However I of course had come to early.Soon the theatre was jam packed with people of all ages murmuring excitedly, and who could blame them, they had after all come to see the spectacle that is warhorse. I noticed the stage, it was quite plain with only the simple thrust staging, and what looked like a giant piece of ripped paper spread up against the back black wall.This clever set almost seemed to help build up the atmosphere adding a sense of suspense to the theatre.The paper was projected on during the play showing sketches of the place the scene is set.WarHorse is about a young boy of sixteen named Albert who makes a strong bond of love and friendship with a horse named Joey,when joey is sold to the army by Alberts drunk of a father Albert takes it upon himself to lie about his age join the army, and search for his friend among the war torn trenches, A truly hart warming story of love and  friendship giving an insight of the trenches and both the German and British sides.


The first scene came as a slight surprise as very suddenly a man stepped on, his clothing was typical for the countryside around the first world war. Slowly the audience were quiet. A spotlight was trained on him. He then began to sing he sang traditional english countryside folk songs, he sings different songs and plays intruments to get you into the spirit of the time period, throughout the play this happens giving it a really interesting effect of the idea of the english countyside of old being the center of this play. Of course I cannot do a review of Warhorse without mentioning what attracted so much attention to it in the first place. One major part of WarHorse is the incredible use of puppets to create horses and other animals, the horses created by a big wooden structures which have inside them all sorts of levers and triggers to make the horse move. The skill of those operating the horse is incredible so well done that half the time you really believe there is a real horse there and they have captured the movements and ways of the horses so well.  In a way there is an essence of real horses on stage. The accents and characters make the play very effective and realy make the audience believe in what they are seeing. The lighting and sound effects are strong and cleverly used to invoke feelings in the audience such as fear.  They are also used to create settings and events such as using bright lights and bird songs for summer, using blue and purple lights for the night, huge bright light and piercing sounds for shelling. Albert Narracott played by Matthew Aubrey an innocent farmboy who growes attached to his horse, the way the boy was portrayed showed his inoccence in the way he talks,holds himself and even in the way he laughs almost but not quite carelessly, his accent was amazing, and the bond between him and his horse can be seen proggressing slowly and incredibly realistically. I can imagine that the reason for creating WarHorse would be to show the world something new, something never been attempted before on stage, something incredible.

If someone asked me to describe WarHorse in four words, I would find it difficult to describe WarHorse the incredible masterpiece of so many different elements in only four words, but if I had to the four words would be...Masterpiece, spellbinding, beautiful, unique. What the producers set out to do was certainly completed.

Verdict
An incredible Masterpiece that I can find no fault in, proffesionally done and a unique experience that I would Recomend to any man, woman, or child .


Friday, 24 September 2010

Cultural Cafe Performance-Yao Culture

 Stratford upon avon college hosted in the cultural cafe on the 24th of September a tribute to the yao nationality. The performance was a scene from the upcoming musical movement piece from a group called the Yao Culture. The scene involved singing traditional Yao culture as a choir and a challenge of strength between to men over a pole. They also involved the audience by inviting members of the audience to join one them fighting over it.

The aim of the piece was to advertise the official piece of musical theatre, and to to give people an insight to the musical ways of the Yao culture they tried this using a mixture of song gymnastics and dance. The performance was successful in giving people an insight into the yao tradition. The audience seemed to enjoy it, especially when the cast got them involved, a few people were pushed forward by their friends and every one had a laugh. However the introduction and parts of speaking in between didn't  make much sense, it would have been much more enjoyable if they had made it clearer. 

Thursday, 23 September 2010

Review: The Other Guys

As I went into the theatre and watched the trailers and adverts aimed at the target audience of the film, it was easy to imagine a lazy average comedy. What with the disapointment of fellow cop comedy 'cop out' it seemed the genre was sagging. However the film supassed my expectations. The director Adam Mckay, reteams with Will Ferill who plays his usual quirky, seperate from society character, Allen Gamble who is desperate to get away from his out of control past. While Mark Wahlberg plays Terry Hoitz a cop with repressed anger issues, and incredible but unsure talent.

While theres nothing in common between desperate for action Hoitz, and desk loving Gamble, they must put past their differences and become partners. Their partnership gets off at a rocky start, but while the film continues their bond grows stronger. When police stars Highsmith and Danson (Samuel L. Jackson and Dwayne Johnson) take an unexpected and hilarious leave, Gamble and Hoitz must attempt to take up the big chairs,and soon stumble onto something big.

Verdict 
A witty comedy that doesn't take things too seriously, though the plot occassionally wavers, it has fantasic characters, and laughs to spare.